still life with innocence

still life with innocence

SATO Raimu

April 11 – April 27, 2025

SATO Raimu is both a doll-maker and a sculptor. She taught herself the art of ball-jointed dolls before enrolling in the sculpture program at Tokyo Zokei University to deepen her understanding of the human figure, continuing her practice through graduate study. To develop her knowledge of anatomy further, she undertook a research residency in a university medical school's department of anatomy. Her work brings together the techniques of figurative sculpture and ball-jointed doll-making into a practice that is distinctly her own.

SATO's figures demonstrate anatomical precision while leaving no ambiguity about what they are: dolls, their joints exposed and legible. The viewer stands before something that holds the form of a human being and is clearly not one. Traditional still life painting depicted flowers and fruit—objects without life—yet used them to express something about life itself. SATO's work performs a parallel operation: through the form of the doll, it investigates what is essential to the human.

sato-raimu-arika-01-main
Sato Raimu Arika (Where One Belongs), 2025, Stone powder clay, modeling paste, oil paint, eyeshadow, and hair, 1650 × 450 × 300 mm (65 × 17 ¾ × 11 ¾ inches) © 2025 Sato Raimu. Courtesy of the artist

still life with innocence takes the boundary between the animate and inanimate as its territory. Works in which modeled human forms coexist with the exposed mechanics of ball joints hold both conditions simultaneously: the static presence of sculpture and the latent possibility of movement that belongs to the doll. This is the paradox already embedded in the phrase still life—and SATO's work makes it physical. The viewer is confronted at once by something that appears alive and something that is clearly not. That cognitive dissonance is central to the work's force.

sato-raimu-arika-03-detail
Sato Raimu Arika (Where One Belongs)(Partial view), 2025, Stone powder clay, modeling paste, oil paint, eyeshadow, and hair, 1650 × 450 × 300 mm (65 × 17 ¾ × 11 ¾ inches) © 2025 Sato Raimu. Courtesy of the artist

Behind SATO's practice lies the tradition of classical figurative sculpture and its pursuit of the body in three dimensions, alongside the Western histories of anatomical drawing and still life painting. The question animating all of it—what it means for matter to carry the trace of a soul—is not a new one. SATO approaches it through methods that are entirely her own.

For inquiries regarding the exhibition and works, including commission projects, please contact info@aaploit.com.

still life with innocence

Dates
April 11 – April 27, 2025
Hours
Friday, Saturday, Sunday 13:00–18:00 Viewings by appointment available on other days
Venue
aaploit, Tokyo

SATO Raimu

b. 2000

Sato Raimu works between anatomical doll-making and the tradition of creative dolls, using the figure as a sculptural site for questioning embodiment and perception. In works conceived as dolls, proportions are deliberately altered — approximately six-head figures with emphasized heads — while anatomically accurate, life-sized figures precisely replicate the artist's own nine-head proportions. This oscillation between distortion and exact replication produces a dissonance that the human body alone cannot generate. From 2023, Sato has been affiliated with the Department of Anatomy at Juntendo University School of Medicine as a Special Research Student, and participates in Anatomy Tutorials, a collective dedicated to the education and dissemination of artistic anatomy. Born in 2000 in Shizuoka, Japan.

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