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      "email": "info@aaploit.com"
    },
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      "sameAs": "https://aaploit.com/ja/artists/hanzawa-tomomi",
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      },
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        "@id": "https://aaploit.com/#organization"
      },
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    },
    {
      "@id": "https://aaploit.com/en/artists/kano-maashu",
      "@type": "Person",
      "name": "KANO Maashu",
      "url": "https://aaploit.com/en/artists/kano-maashu",
      "sameAs": "https://aaploit.com/ja/artists/kano-maashu",
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    },
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      "@id": "https://aaploit.com/en/artists/kikuchi-torasuke",
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      "name": "KIKUCHI Torasuke",
      "url": "https://aaploit.com/en/artists/kikuchi-torasuke",
      "sameAs": "https://aaploit.com/ja/artists/kikuchi-torasuke",
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        "@id": "https://aaploit.com/#organization"
      },
      "description": "Since childhood, Kikuchi Torasuke has watched the same footage on videotape. He plays it back, again and again. With each playback the magnetic coating wears, and the image recedes a little. Without …"
    },
    {
      "@id": "https://aaploit.com/en/artists/michimata-aoi",
      "@type": "Person",
      "name": "MICHIMATA Aoi",
      "url": "https://aaploit.com/en/artists/michimata-aoi",
      "sameAs": "https://aaploit.com/ja/artists/michimata-aoi",
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        "@id": "https://aaploit.com/#organization"
      },
      "description": "Michimata Aoi continues to work in woodblock printing, addressing the positions and choices individuals face within social structures. Referencing \"Kafka's Staircase,\" a concept proposed by social ac…"
    },
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      "@id": "https://aaploit.com/en/artists/okoshi-madoka",
      "@type": "Person",
      "name": "OKOSHI Madoka",
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      "sameAs": "https://aaploit.com/ja/artists/okoshi-madoka",
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        "@id": "https://aaploit.com/#organization"
      },
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    },
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      "@id": "https://aaploit.com/en/artists/sato-raimu",
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      "name": "SATO Raimu",
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      "sameAs": "https://aaploit.com/ja/artists/sato-raimu",
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      "description": "Sato Raimu"
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      "name": "TAKAHASHI Misaki",
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      },
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      "@id": "https://aaploit.com/en/artists/tanabe-motoha",
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      "name": "TANABE Motoha",
      "url": "https://aaploit.com/en/artists/tanabe-motoha",
      "sameAs": "https://aaploit.com/ja/artists/tanabe-motoha",
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      },
      "description": "Tanabe Motoha's portraits do not reproduce a single appearance. Research extends to the subject's family, friends, and strangers who carry something of that person — photographs accumulate, often exc…"
    },
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      "name": "Placement",
      "url": "https://aaploit.com/en/works/hanzawa-tomomi-placement",
      "sameAs": "https://aaploit.com/ja/works/hanzawa-tomomi-placement",
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      "@id": "https://aaploit.com/en/works/okoshi-madoka-reconstruct-reality-02-panoramic-view",
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      "name": "Nai",
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      },
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    },
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      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-hitotsu-hitotsu-yoku-miru",
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      },
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    },
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      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-yowaku-yowaku-yaketeiku",
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    },
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      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-kage-wo-ataeru",
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      "name": "Bestowing Shadow",
      "url": "https://aaploit.com/en/works/ishiguro-hikaru-kage-wo-ataeru",
      "sameAs": "https://aaploit.com/ja/works/ishiguro-hikaru-kage-wo-ataeru",
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        "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
      },
      "dateCreated": "2026",
      "artMedium": "Oil on canvas-board\n"
    },
    {
      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-yamanai-kaze-wo-ukeireru",
      "@type": "VisualArtwork",
      "name": "Accepting the Ceaseless Wind",
      "url": "https://aaploit.com/en/works/ishiguro-hikaru-yamanai-kaze-wo-ukeireru",
      "sameAs": "https://aaploit.com/ja/works/ishiguro-hikaru-yamanai-kaze-wo-ukeireru",
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      },
      "dateCreated": "2026",
      "artMedium": "Oil on canvas-board\n"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230321-03",
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      "name": "Surface drawing 20230321-03",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230321-03",
      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-surface-drawing-20230321-03",
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        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
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    },
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      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-05",
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      },
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      "artMedium": "Inkjet print mounted on aluminum composite panel"
    },
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      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-02",
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      "name": "surface drawing 20230516-02",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-02",
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      },
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    },
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    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-06",
      "@type": "VisualArtwork",
      "name": "surface drawing 20230516-06",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-06",
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      },
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      "artMedium": "Inkjet print mounted on aluminum composite panel"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-03",
      "@type": "VisualArtwork",
      "name": "surface drawing 20230516-03",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-03",
      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-surface-drawing-20230516-03",
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      },
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      "artMedium": "Inkjet print mounted on aluminum composite panel"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-04",
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      "name": "surface drawing 20230516-04",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230516-04",
      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-surface-drawing-20230516-04",
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        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
      "dateCreated": "2023",
      "artMedium": "Inkjet print mounted on aluminum composite panel"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-reconstruct-reality-01-tracking-view",
      "@type": "VisualArtwork",
      "name": "Reconstruct Reality #1 (35.1698075, 137.0654062)-Tracking view",
      "url": "https://aaploit.com/en/works/okoshi-madoka-reconstruct-reality-01-tracking-view",
      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-reconstruct-reality-01-tracking-view",
      "creator": {
        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
      "dateCreated": "2026",
      "artMedium": "Laser print on acrylic block"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-reconstruct-reality-01",
      "@type": "VisualArtwork",
      "name": "Reconstruct Reality #1 (35.1698075, 137.0654062)",
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      "creator": {
        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
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      "artMedium": "4K video, 2-channel, 30-second loop"
    },
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      "@id": "https://aaploit.com/en/works/okoshi-madoka-reconstruct-reality-01-panoramic-view",
      "@type": "VisualArtwork",
      "name": "Reconstruct Reality #1 (35.1698075, 137.0654062)-Panoramic view",
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      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-reconstruct-reality-01-panoramic-view",
      "creator": {
        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
      "dateCreated": "2026",
      "artMedium": "Digital image"
    },
    {
      "@id": "https://aaploit.com/en/works/tanabe-motoha-someone",
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      "name": "Someone",
      "url": "https://aaploit.com/en/works/tanabe-motoha-someone",
      "sameAs": "https://aaploit.com/ja/works/tanabe-motoha-someone",
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        "@id": "https://aaploit.com/en/artists/tanabe-motoha"
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      "dateCreated": "2025",
      "artMedium": "Oil on canvas"
    },
    {
      "@id": "https://aaploit.com/en/works/sato-raimu-untitled-01",
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      "name": "Untitled",
      "url": "https://aaploit.com/en/works/sato-raimu-untitled-01",
      "sameAs": "https://aaploit.com/ja/works/sato-raimu-untitled-01",
      "creator": {
        "@id": "https://aaploit.com/en/artists/sato-raimu"
      },
      "dateCreated": "2026",
      "artMedium": "Stone powder clay, modeling paste, oil paint, and hair"
    },
    {
      "@id": "https://aaploit.com/en/works/takahashi-misaki-nothing-stays",
      "@type": "VisualArtwork",
      "name": "Nothing stays",
      "url": "https://aaploit.com/en/works/takahashi-misaki-nothing-stays",
      "sameAs": "https://aaploit.com/ja/works/takahashi-misaki-nothing-stays",
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        "@id": "https://aaploit.com/en/artists/takahashi-misaki"
      },
      "dateCreated": "2024, 2025",
      "artMedium": "Oil on panel with chalk ground"
    },
    {
      "@id": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230322-04",
      "@type": "VisualArtwork",
      "name": "surface drawing 20230322-04",
      "url": "https://aaploit.com/en/works/okoshi-madoka-surface-drawing-20230322-04",
      "sameAs": "https://aaploit.com/ja/works/okoshi-madoka-surface-drawing-20230322-04",
      "creator": {
        "@id": "https://aaploit.com/en/artists/okoshi-madoka"
      },
      "dateCreated": "2023",
      "artMedium": "Inkjet print mounted on aluminum composite panel"
    },
    {
      "@id": "https://aaploit.com/en/works/sato-raimu-sakura",
      "@type": "VisualArtwork",
      "name": "Sakura",
      "url": "https://aaploit.com/en/works/sato-raimu-sakura",
      "sameAs": "https://aaploit.com/ja/works/sato-raimu-sakura",
      "creator": {
        "@id": "https://aaploit.com/en/artists/sato-raimu"
      },
      "dateCreated": "2023",
      "artMedium": "Doll: Stone powder clay, modeling paste, gesso, oil paints, hair, glass\nClothing: Fabric, lace, leather, metal"
    },
    {
      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-cipher",
      "@type": "VisualArtwork",
      "name": "Cipher",
      "url": "https://aaploit.com/en/works/ishiguro-hikaru-cipher",
      "sameAs": "https://aaploit.com/ja/works/ishiguro-hikaru-cipher",
      "creator": {
        "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
      },
      "dateCreated": "2024",
      "artMedium": "Canvas, pencil, animal glue, mineral pigments (Iwa-enogu), and sand on wooden panel"
    },
    {
      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-return-everything,-shadow-and-all",
      "@type": "VisualArtwork",
      "name": "Return Everything, Shadow and All",
      "url": "https://aaploit.com/en/works/ishiguro-hikaru-return-everything,-shadow-and-all",
      "sameAs": "https://aaploit.com/ja/works/ishiguro-hikaru-return-everything,-shadow-and-all",
      "creator": {
        "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
      },
      "dateCreated": "2025",
      "artMedium": "Cotton cloth, art glue, mineral pigments (Suihi-enogu), ink, pencil, and watercolor pencil on wooden panel"
    },
    {
      "@id": "https://aaploit.com/en/works/ishiguro-hikaru-angels-stop-thinking",
      "@type": "VisualArtwork",
      "name": "Angels Stop Thinking",
      "url": "https://aaploit.com/en/works/ishiguro-hikaru-angels-stop-thinking",
      "sameAs": "https://aaploit.com/ja/works/ishiguro-hikaru-angels-stop-thinking",
      "creator": {
        "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
      },
      "dateCreated": "2024",
      "artMedium": "Cotton cloth, animal glue, plaster, pigment, pencil on wooden panel"
    },
    {
      "@id": "https://aaploit.com/en/works/kano-maashu-responsibility-for-connections",
      "@type": "VisualArtwork",
      "name": "Responsibility of Connection",
      "url": "https://aaploit.com/en/works/kano-maashu-responsibility-for-connections",
      "sameAs": "https://aaploit.com/ja/works/kano-maashu-responsibility-for-connections",
      "creator": {
        "@id": "https://aaploit.com/en/artists/kano-maashu"
      },
      "dateCreated": "2022",
      "artMedium": "Silkscreen, acrylic, and polishing on wood panel"
    },
    {
      "@id": "https://aaploit.com/en/works/kano-maashu-the-girl-who-was-eaten",
      "@type": "VisualArtwork",
      "name": "The Swallowed Schoolgirl",
      "url": "https://aaploit.com/en/works/kano-maashu-the-girl-who-was-eaten",
      "sameAs": "https://aaploit.com/ja/works/kano-maashu-the-girl-who-was-eaten",
      "creator": {
        "@id": "https://aaploit.com/en/artists/kano-maashu"
      },
      "dateCreated": "2022",
      "artMedium": "Silkscreen, acrylic, and polishing on wood panel"
    },
    {
      "@id": "https://aaploit.com/en/works/kano-maashu-awakening-through-XXX",
      "@type": "VisualArtwork",
      "name": "Awakening Through XXXX",
      "url": "https://aaploit.com/en/works/kano-maashu-awakening-through-XXX",
      "sameAs": "https://aaploit.com/ja/works/kano-maashu-awakening-through-XXX",
      "creator": {
        "@id": "https://aaploit.com/en/artists/kano-maashu"
      },
      "dateCreated": "2023",
      "artMedium": "Silkscreen, acrylic, and polishing on wood panel"
    },
    {
      "@id": "https://aaploit.com/en/works/kano-maashu-nevermore",
      "@type": "VisualArtwork",
      "name": "Nevermore",
      "url": "https://aaploit.com/en/works/kano-maashu-nevermore",
      "sameAs": "https://aaploit.com/ja/works/kano-maashu-nevermore",
      "creator": {
        "@id": "https://aaploit.com/en/artists/kano-maashu"
      },
      "dateCreated": "2023",
      "artMedium": "Silkscreen, acrylic, and polishing on wood panel"
    },
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      "endDate": "2022-09-04",
      "location": "aaploit, Tokyo"
    },
    {
      "@id": "https://aaploit.com/en/exhibitions/aaploit-wip",
      "@type": "ExhibitionEvent",
      "name": "aaploit WIP",
      "url": "https://aaploit.com/en/exhibitions/aaploit-wip",
      "sameAs": "https://aaploit.com/ja/exhibitions/aaploit-wip",
      "startDate": "2022-06-25",
      "endDate": "2022-06-25",
      "location": "aaploit, Tokyo"
    },
    {
      "@id": "https://aaploit.com/en/journal/notes-on-four-years-of-curating-at-aaploit",
      "@type": "Article",
      "headline": "Who Moves the Threshold? Notes on Four Years of Curating at aaploit",
      "url": "https://aaploit.com/en/journal/notes-on-four-years-of-curating-at-aaploit",
      "description": "Four exhibitions, four years, one recurring question: who decides what an artwork is reacting to? Looking back at Kumagae Yuna, Asano Miyabi, and Michimata Aoi, this essay argues that no one does, no…"
    },
    {
      "@id": "https://aaploit.com/en/journal/tsutsumi-asano-what-is-picked-up-what-is-left",
      "@type": "Article",
      "headline": "What Is Picked Up, What Is Left",
      "url": "https://aaploit.com/en/journal/tsutsumi-asano-what-is-picked-up-what-is-left",
      "description": "One sheet was chosen, another was not. Set them side by side, and you still cannot say why. What happens here is not selection but extraction. On Tsutsumi Asano, \"In progress - Unfolded\" (aaploit, 4-…"
    },
    {
      "@id": "https://aaploit.com/en/journal/haginaka-mayus-mezzotint",
      "@type": "Article",
      "headline": "Haginaka Mayu's Mezzotint",
      "url": "https://aaploit.com/en/journal/haginaka-mayus-mezzotint",
      "description": "Haginaka Mayu works in mezzotint, the old intaglio technique in which black and white are raised from a copper plate worked over with countless burrs, then scraped and burnished away. This essay begi…"
    },
    {
      "@id": "https://aaploit.com/en/journal/the-invisible-made-visible-pierre-huyghe-annlee",
      "@type": "Article",
      "headline": "The Invisible Made Visible: Pierre Huyghe, AnnLee, and What the AI Age Inherits",
      "url": "https://aaploit.com/en/journal/the-invisible-made-visible-pierre-huyghe-annlee",
      "description": "In 1999, Pierre Huyghe and Philippe Parreno purchased AnnLee—a discarded manga supporting character from an Akihabara animation company—for 46,000 yen. They retrieved her knowingly. Written from the …"
    },
    {
      "@id": "https://aaploit.com/en/journal/kumagai-ayano-review-01",
      "@type": "Article",
      "headline": "Fictive Botany: Kumagai Ayano's Practices",
      "url": "https://aaploit.com/en/journal/kumagai-ayano-review-01",
      "description": "The plants Kumagai Ayano depicts do not exist. What spreads across signs that have lost their readers is a vegetation that does not yet have a name."
    },
    {
      "@id": "https://aaploit.com/en/journal/irreversible-impressions",
      "@type": "Article",
      "headline": "Irreversible Impressions: Michimata Aoi and the Staircase You Cannot Climb Back",
      "url": "https://aaploit.com/en/journal/irreversible-impressions",
      "description": "In Michimata's woodblock prints, a reproductive medium that cannot reproduce meets a staircase you cannot climb back. Each carved layer is permanent. Each step, once passed, changes shape behind you.",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/michimata-aoi"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/what-still-transmits",
      "@type": "Article",
      "headline": "What Still Transmits: Camille Henrot's Ikebana and the Problem of Translation",
      "url": "https://aaploit.com/en/journal/what-still-transmits",
      "description": "Camille Henrot's work stages a paradox of translation: cultures may remain fundamentally untranslatable, yet something continues to circulate between them. In the ikebana series Is it possible to be …"
    },
    {
      "@id": "https://aaploit.com/en/journal/takahashi-misaki-review-01",
      "@type": "Article",
      "headline": "The Distance of Seeing: Takahashi Misaki",
      "url": "https://aaploit.com/en/journal/takahashi-misaki-review-01",
      "description": "Takahashi Misaki’s paintings are less about objects than about the distance from which we see them. Working with skeleton models, skulls, and preserved specimens, she constructs scenes in which the a…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/takahashi-misaki"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/kumagae-yuna-review-01",
      "@type": "Article",
      "headline": "The Ethics of Small Oscillations: On the Exhibition of KUMAGAE Yuna",
      "url": "https://aaploit.com/en/journal/kumagae-yuna-review-01",
      "description": "Facing KUMAGAE Yuna's work, one finds, almost imperceptibly, that one's own position has shifted slightly. The shift is not dramatic. It arrives rather as an extremely small oscillation—a mixture of …"
    },
    {
      "@id": "https://aaploit.com/en/journal/voice-of-void",
      "@type": "Article",
      "headline": "Voice of Void: Ho Tzu Nyen and the Structure of Not Knowing",
      "url": "https://aaploit.com/en/journal/voice-of-void",
      "description": "In Voice of Void, Singaporean artist Ho Tzu Nyen revisits the wartime philosophy of the Kyoto School not to judge its thinkers, but to examine the structure that allowed abstract thought to remain de…"
    },
    {
      "@id": "https://aaploit.com/en/journal/critical-pastiche",
      "@type": "Article",
      "headline": "Critical Pastiche: On the Paintings of Asano Miyabi",
      "url": "https://aaploit.com/en/journal/critical-pastiche",
      "description": "In paintings by Asano Miyabi, Renaissance compositions are reproduced with striking fidelity while their symbolic structures are quietly inverted. Cupid becomes a host-club tantō, mythological rhetor…"
    },
    {
      "@id": "https://aaploit.com/en/journal/asymmetrical-gazes-on-the-power-of-looking",
      "@type": "Article",
      "headline": "Asymmetrical Gazes: On the Power of Looking",
      "url": "https://aaploit.com/en/journal/asymmetrical-gazes-on-the-power-of-looking",
      "description": "Asymmetrical Gazes brings together three artists whose works examine how visual power operates. Drawing on art history, social media imagery, and the technological conditions of the smartphone, Asano…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/kano-maashu"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/ishiguro-hikaru-review-02",
      "@type": "Article",
      "headline": "\"I Am Probably Not the Right Voice for These Paintings\" by Ishiguro Hikaru",
      "url": "https://aaploit.com/en/journal/ishiguro-hikaru-review-02",
      "description": "In I Am Probably Not the Right Voice for These Paintings, Ishiguro Hikaru’s works are positioned at a distance from language. Made with cotton cloth, ink, and mineral pigments that settle unpredictab…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/the-60th-venice-biennale",
      "@type": "Article",
      "headline": "Foreigners Everywhere: Experiencing the 60th Venice Biennale",
      "url": "https://aaploit.com/en/journal/the-60th-venice-biennale",
      "description": "At the 60th Venice Biennale, titled Stranieri Ovunque / Foreigners Everywhere, curator Adriano Pedrosa proposed a world seen through the condition of the foreigner. Moving through the exhibition, I b…"
    },
    {
      "@id": "https://aaploit.com/en/journal/Ken-Osa-Seiichiros-Painting-Practice",
      "@type": "Article",
      "headline": "\"Ken\" (圏): Osa Seiichiro's Painting Practice",
      "url": "https://aaploit.com/en/journal/Ken-Osa-Seiichiros-Painting-Practice",
      "description": "Osa Seiichiro builds the picture plane through successive layers of paint — not as depiction of depth but as sedimented time. The concept he calls ken (圏) is not a formal strategy but an ontological …"
    },
    {
      "@id": "https://aaploit.com/en/journal/paradoxical-depaysement",
      "@type": "Article",
      "headline": "Paradoxical Dépaysement in Gregor Schneider's Spatial Practice",
      "url": "https://aaploit.com/en/journal/paradoxical-depaysement",
      "description": "In his spatial installations, Gregor Schneider places viewers inside sequences of nearly identical rooms where perception gradually loses its frame of reference. The experience produces what I call P…"
    },
    {
      "@id": "https://aaploit.com/en/journal/tazaki-ari-review-02",
      "@type": "Article",
      "headline": "Light Dwelling in Shadows: Tazaki Ari's \"reunion\"",
      "url": "https://aaploit.com/en/journal/tazaki-ari-review-02",
      "description": "In reunion, Tazaki Ari constructs a scene structured by absence. Empty baby strollers appear throughout the composition, standing in for unseen figures. At one moment, what seems to be a person resol…"
    },
    {
      "@id": "https://aaploit.com/en/journal/chiasme-on-seeing-and-being-seen",
      "@type": "Article",
      "headline": "Chiasme: On Seeing and Being Seen",
      "url": "https://aaploit.com/en/journal/chiasme-on-seeing-and-being-seen",
      "description": "Drawing on Maurice Merleau-Ponty’s notion of chiasme—the intertwining of seeing and being seen—this exhibition brings together four painters whose works return the act of looking to the viewer. Throu…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/pierre-huyghe-liminal",
      "@type": "Article",
      "headline": "Pierre Huyghe: Liminal – A Japanese Perspective",
      "url": "https://aaploit.com/en/journal/pierre-huyghe-liminal",
      "description": "In Liminal, Pierre Huyghe constructs exhibitions not as finished works but as living systems that evolve through time, viewers, and circumstance. Seen first at Punta della Dogana and later at Leeum M…"
    },
    {
      "@id": "https://aaploit.com/en/journal/matsuda-nayuko-review-01",
      "@type": "Article",
      "headline": "\"Yuri-shiro-iro no\" by Matsuda Nayuko",
      "url": "https://aaploit.com/en/journal/matsuda-nayuko-review-01",
      "description": "In Yuri-shiro-iro no, Matsuda Nayuko constructs a landscape that unfolds gradually to the viewer’s eye. Susuki-like plants appear in the foreground, followed by two small figures facing one another, …"
    },
    {
      "@id": "https://aaploit.com/en/journal/asano-miyabi-review-01",
      "@type": "Article",
      "headline": "\"Thank You, December 31st\" by Asano Miyabi",
      "url": "https://aaploit.com/en/journal/asano-miyabi-review-01",
      "description": "In Thank You, December 31st, Asano Miyabi presents fragments of an intimate exchange between sex workers and their clients. Camisoles hang from the ceiling, each softly illuminated by a smartphone sc…"
    },
    {
      "@id": "https://aaploit.com/en/journal/ishimatsu-yufu-review-01",
      "@type": "Article",
      "headline": "\"A Vessel Filling a Cup, Breathing Within\" by Ishimatsu Yufu",
      "url": "https://aaploit.com/en/journal/ishimatsu-yufu-review-01",
      "description": "Installed on a staircase landing, Ishimatsu Yufu’s A Vessel Filling a Cup, Breathing Within unfolds gradually as viewers move through the space. Painted on warped Shina plywood with Japanese paper ad…"
    },
    {
      "@id": "https://aaploit.com/en/journal/tazaki-ari-review-01",
      "@type": "Article",
      "headline": "\"Endless Circle\" by Tazaki Ari",
      "url": "https://aaploit.com/en/journal/tazaki-ari-review-01",
      "description": "In Endless Circle, Tazaki Ari constructs a scene that gradually resolves from darkness: divers forming a ring around a fish, their shadows multiplying the circle across the surface. The goggle-shaped…"
    },
    {
      "@id": "https://aaploit.com/en/journal/sato-raimu-review-01",
      "@type": "Article",
      "headline": "“Moonwhite Castle” by SATO Raimu",
      "url": "https://aaploit.com/en/journal/sato-raimu-review-01",
      "description": "Moonwhite Castle (2023) by SATO Raimu is a ball-jointed sculpture with two heads on a single nude body, installed directly on the floor to disrupt conventional display. Constructed from stone powder …",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/sato-raimu"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/kano-maashu-review-01",
      "@type": "Article",
      "headline": "\"Girl Worship\" KANO Maashu",
      "url": "https://aaploit.com/en/journal/kano-maashu-review-01",
      "description": "Girl Worship brings the structure of belief into the present. Drawing on religious iconography, social media imagery, and silkscreen reproduction, KANO Maashu traces how devotion—whether directed tow…"
    },
    {
      "@id": "https://aaploit.com/en/journal/ishiguro-hikaru-review-01",
      "@type": "Article",
      "headline": "“Utsuse no Himitsu ha Watashi nomi zo Shiru” by Ishiguro Hikaru",
      "url": "https://aaploit.com/en/journal/ishiguro-hikaru-review-01",
      "description": "Ishiguro Hikaru’s large-scale painting unfolds less as an image than as a surface of layered perception. A lattice structure recalling the framework of earthen walls opens onto a vertiginous depth wh…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/ishiguro-hikaru"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/feature-bisyoujo",
      "@type": "Article",
      "headline": "The Art History of Beautiful Girls: From Traditional Bijin-ga to Digital Culture",
      "url": "https://aaploit.com/en/journal/feature-bisyoujo",
      "description": "The Art History of Beautiful Girls begins by rejecting the traditional category of bijin-ga in favor of bishōjo, reframing the figure of the beautiful girl as a media construct rather than a fixed ar…"
    }
  ]
}