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      "@id": "https://aaploit.com/en/artists/okoshi-madoka",
      "@type": "Person",
      "name": "OKOSHI Madoka",
      "alternateName": "おおこしまどか",
      "url": "https://aaploit.com/en/artists/okoshi-madoka",
      "sameAs": "https://aaploit.com/ja/artists/okoshi-madoka",
      "affiliation": {
        "@id": "https://aaploit.com/#organization"
      },
      "birthDate": "1997",
      "description": "LiDAR was engineered to measure structures. Okoshi Madoka turns it toward people and cityscapes. The resulting point-cloud data is reconstructed in AR and summoned into contexts other than where it w…",
      "disambiguatingDescription": "LiDAR was developed to measure the dimensions of buildings and structures. Okoshi Madoka turns it toward people and cityscapes. When this technology migrated from dedicated surveying equipment into the iPhone, the act of measurement became continuous with everyday gesture. Okoshi works at that junction.\n\nPoint-cloud data captured in one place is detached from its original context and reconstructed in AR space, summoned back into the world as a space distinct from where it was taken. Measurement generates image; image becomes space. What is at stake across this sequence is not the technical fidelity of digital conversion, but the perceptual displacement that occurs when converted reality re-emerges as space in its own right.\n\nSurface Drawing illuminates the conditions under which images arise in an era when seeing and measuring have become inextricable. Data does not record reality. Data summons reality as a different reality. Okoshi's practice is a sustained inquiry into the structure of that summoning.",
      "cv": [
        {
          "section": "EDUCATION"
        },
        {
          "section": "2020"
        },
        {
          "year": "",
          "entries": [
            "Akita University of Art, Faculty of Art, Department of Art, Visual Arts Major, Graduated"
          ]
        },
        {
          "year": "2023",
          "entries": [
            "Institute of Advanced Media Arts and Sciences (IAMAS), Graduate School of Media Expression, Master's Program, Completed"
          ]
        },
        {
          "year": "2025",
          "entries": [
            "Nagoya University, Graduate School of Informatics, Department of Social Informatics, Doctoral Program, Enrolled"
          ]
        },
        {
          "section": "SOLO EXHIBITIONS (SELECTED)"
        },
        {
          "year": "2024",
          "entries": [
            "Detection, anonymous studio, Aichi",
            "Binocular Data Visualization, aaploit, Tokyo"
          ]
        },
        {
          "year": "2022",
          "entries": [
            "Invisible view, KUNST ARTZ, Kyoto"
          ]
        },
        {
          "year": "2021",
          "entries": [
            "Observe the Surface, KUNST ARTZ, Kyoto",
            "Unaccounted for \" \", Gallery TURNAROUND, Miyagi"
          ]
        },
        {
          "section": "GROUP EXHIBITIONS (SELECTED)"
        },
        {
          "year": "2024",
          "entries": [
            "透況都 / Fluid City, NEUU XR Communication Hub, Tokyo",
            "Museum of Modern Art, Gunma Collection Exhibition: Newly Acquired Works, Museum of Modern Art, Gunma, Gunma",
            "Archi Disco #4 'VORTEX', Media shop/mogana, Kyoto",
            "2023",
            "Born new art vol.3, +ART GALLERY, Tokyo",
            "2022",
            "SHIBUYA STYLE vol.16, Seibu Shibuya, Tokyo",
            "2021",
            "SHIBUYA STYLE vol.15, Seibu Shibuya, Tokyo",
            "2020",
            "SHIBUYA STYLE vol.14, Seibu Shibuya, Tokyo",
            "Art Award Tokyo Marunouchi2020, Tokyo Station Gyoko Gallery, Tokyo"
          ]
        },
        {
          "section": "COLLECTIONS"
        },
        {
          "year": "",
          "entries": [
            "Museum of Modern Art, Gunma"
          ]
        }
      ],
      "biography": [
        {
          "year": "",
          "entries": [
            "Oikoshi Madoka uses the LiDAR sensor built into the smartphone to capture people and cityscapes as point-cloud data, reconstructing them within AR space. Measurement generates image; image becomes space. Working across this sequence, she sustains an inquiry into where seeing ends and measuring begins. Born in Akita Prefecture in 1997. BFA, Akita University of Art, 2020. MFA, Institute of Advanced Media Arts and Sciences (IAMAS), 2023. Currently a doctoral candidate at Nagoya University, Graduate School of Informatics."
          ]
        }
      ],
      "relatedLink": "https://aaploit.com/en/artists/okoshi-madoka/works"
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    {
      "@id": "https://aaploit.com/en/exhibitions/group-miyaru-semicoron-3rd-person",
      "@type": "ExhibitionEvent",
      "name": "Miyaru ; 3rd Person ",
      "url": "https://aaploit.com/en/exhibitions/group-miyaru-semicoron-3rd-person",
      "sameAs": "https://aaploit.com/ja/exhibitions/group-miyaru-semicoron-3rd-person",
      "startDate": "2026-05-08",
      "endDate": "2026-05-24",
      "location": "aaploit, Tokyo",
      "artists": [
        {
          "@id": "https://aaploit.com/en/artists/okoshi-madoka"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/exhibitions/group-asymmetrical-gazes",
      "@type": "ExhibitionEvent",
      "name": "Asymmetrical Gazes",
      "url": "https://aaploit.com/en/exhibitions/group-asymmetrical-gazes",
      "sameAs": "https://aaploit.com/ja/exhibitions/group-asymmetrical-gazes",
      "startDate": "2025-10-31",
      "endDate": "2025-11-16",
      "location": "aaploit, Tokyo",
      "artists": [
        {
          "@id": "https://aaploit.com/en/artists/okoshi-madoka"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/exhibitions/okoshi-madoka-binocular-data-visualization",
      "@type": "ExhibitionEvent",
      "name": "Binocular Data Visualization",
      "url": "https://aaploit.com/en/exhibitions/okoshi-madoka-binocular-data-visualization",
      "sameAs": "https://aaploit.com/ja/exhibitions/okoshi-madoka-binocular-data-visualization",
      "startDate": "2024-09-27",
      "endDate": "2024-10-13",
      "location": "aaploit, Tokyo",
      "artists": [
        {
          "@id": "https://aaploit.com/en/artists/okoshi-madoka"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/en/journal/asymmetrical-gazes-on-the-power-of-looking",
      "@type": "Article",
      "headline": "Asymmetrical Gazes: On the Power of Looking",
      "url": "https://aaploit.com/en/journal/asymmetrical-gazes-on-the-power-of-looking",
      "description": "Asymmetrical Gazes brings together three artists whose works examine how visual power operates. Drawing on art history, social media imagery, and the technological conditions of the smartphone, Asano…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/okoshi-madoka"
        }
      ]
    },
    {
      "@id": "https://aaploit.com/ja/texts/okoshi-madoka-text-01",
      "@type": "Article",
      "headline": "大越円香が探求するiPhoneが示す世界",
      "url": "https://aaploit.com/ja/texts/okoshi-madoka-text-01",
      "description": "トニー・ゴドフリーの「アーティストは時代の媒体を探求し解明する」という命題を出発点に、20世紀のテレビに代わって21世紀の媒体となったiPhoneを対象に据える大越円香の実践を読む。指紋を題材とした《Invisible view》では、写真の受容の作法がスマートフォンを基軸とする構造へ転倒していることが装置として可視化される。LiDARの点群データを変換手前の状態で取り出す《Surface dr…",
      "about": [
        {
          "@id": "https://aaploit.com/en/artists/okoshi-madoka"
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}