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            "Tohoku University of Art and Design, Faculty of Art, Department of Fine Arts, Printmaking Course, Graduated",
            "Tohoku University of Art and Design, Graduate School, Master's Program, Art and Culture, Painting, Graduated"
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          "year": "2026",
          "entries": [
            "Oganesson, Shinjuku Ganka Gallery, Tokyo"
          ]
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          "year": "2025",
          "entries": [
            "Asymmetric gaze, aaploit, Tokyo",
            "小嘴日、不活 (Shī Zuǐ Rì, Bù Huó), SARP Sendai Artist Run Place, Sendai",
            "Traces of Hands: Reality Spun from Tohoku, Gallery Mitake, Tokyo"
          ]
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        {
          "year": "2023",
          "entries": [
            "Excellence Award, 48th National University Print Exhibition"
          ]
        },
        {
          "year": "2022",
          "entries": [
            "Selected, Japan Print Association 89th Print Exhibition, Category B"
          ]
        },
        {
          "year": "2019",
          "entries": [
            "Selected, 31st Kuroshio Manga Grand Prix New Artist Encouragement Award, 82nd Kahoku Art Exhibition"
          ]
        },
        {
          "year": "2018",
          "entries": [
            "Shiogama Chamber of Commerce and Industry President's Award, 71st Shiogama City Art Exhibition Selected, 86th Dokuritsu Exhibition"
          ]
        }
      ],
      "biography": [
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          "year": "",
          "entries": [
            "MFA, Painting, Graduate School of Art and Design, Tohoku University of Art and Design, 2026. Works are presented as mixed media pieces combining silkscreen with techniques drawn from urushi lacquer art. Though produced through reproductive technology, each work is completed as a unique piece—a process that operates as a metaphor for contemporary anonymity. The work traces the invisible relationships of the modern city."
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      "endDate": "2026-09-13",
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      "@type": "Article",
      "headline": "\"Girl Worship\" KANO Maashu",
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      "description": "Girl Worship brings the structure of belief into the present. Drawing on religious iconography, social media imagery, and silkscreen reproduction, KANO Maashu traces how devotion—whether directed tow…",
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      "@type": "Article",
      "headline": "Asymmetrical Gazes: On the Power of Looking",
      "url": "https://aaploit.com/en/journal/asymmetrical-gazes-on-the-power-of-looking",
      "description": "Asymmetrical Gazes brings together three artists whose works examine how visual power operates. Drawing on art history, social media imagery, and the technological conditions of the smartphone, Asano…",
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