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            "Physis NEXT Ⅴ: Printmakers, Kagamiishi Kashima Shrine, Fukushima, Bansui Gallery, Sendai, Yoshino Gallery, Yamagata"
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            "92nd Prints Exhibition, Tokyo Metropolitan Art Museum, Tokyo"
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            "Excellence Award and Yamagata City Purchase Award, Tohoku University of Art and Design Graduation and Completion Exhibition, Tohoku University of Art and Design, Yamagata"
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            "Japan Print Association Award and Gallery Award, 92nd Prints Exhibition, Tokyo Metropolitan Art Museum, Tokyo",
            "Excellence Award, National Printing Bureau Director General Award, and Audience Award, 50th National University Printmaking Exhibition, Santomyuze, Nagano",
            "Sponsorship Award and Awagami Factory Award, 34th Scholarship Exhibition, Sato Museum of Art, Tokyo"
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            "Fine Arts Award, Tohoku University of Art and Design Graduation and Completion Exhibition, Tohoku University of Art and Design, Yamagata"
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            "HAGINAKA Mayu pursues technical research in mezzotint, exploring the black produced by differences in a rocker's date of manufacture and degree of wear. Under heavy pressure, ink permeates deep into the fibers of the paper and deforms its surface. HAGINAKA's black emerges not as the color of ink but as the transformed materiality of the paper.",
            "MFA, Painting, Graduate School of Art and Design, Tohoku University of Art and Design, 2026."
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      "startDate": "2026-08-28",
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      "@id": "https://aaploit.com/ja/texts/haginaka-mayu-text-01",
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      "headline": "萩中茉優のメゾチント",
      "url": "https://aaploit.com/ja/texts/haginaka-mayu-text-01",
      "description": "メゾチントは銅板に無数の傷を打ち込み、削り、磨くことで黒と白を立ち上げる古い版画技法である。本稿は、その深い黒の物質性、光を内包しながら沈み込む黒、地の白よりも輝く白を起点に、萩中の制作を辿る。学部から大学院へと、萩中はモチーフの表現者から黒そのものの探求者へと深化し、ベルソーの番手や目立ての回数といった多数のパラメータを変えながら理想の黒を追い求めた。《干物脱走》では、縄に連ねられた干物の魚が…",
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